Education at its Best!

Choral Ode during The Burial at Thebes

Today, I turned in my last batch of work, and another semester is concluded! As was to be expected, this past semester was the most difficult yet. With three classes and three shows, I found myself constantly spinning and moving sometimes backwards, often forwards, and always onward. I always put my best foot forward and tried my hardest at everything, and without fail, I made many mistakes (often making me look like I was putting my worst foot forward).

This semester has stretched me far beyond my abilities as a lighting designer, but more so as a person, a collaborator, and an artist. I quit bad habits like smoking. I challenged my personality by forcing myself to pause and slow down. Constantly placing my temper in check and leaving anger at the doorstep. Each day was met with challenges and on occasion my temper got the best of me. With perseverance, many opportunities to collaborate were met with exciting success. Three shows were produced and staged. Each with many exciting artistic choices that I will cherish and remember for a lifetime.

I have collected images, met some exciting and wonderful people, and began nurturing a long since desired skill as a painter and artist. I can't wait to continue developing my hand as my eye continues to see, perceive, and transform.

Many thanks go out to my advisors, professors, directors, dramaturgs, actors, and fellow designers! Without each of you beside me and in front of me, I couldn't achieve with such wonderful success the goals and dreams I have set before me. Thank you!!!

Oleanna

I had the wonderful pleasure of spending a day watching Tony Award winning Lighting Designer, Don Holder, tech the production of Oleanna by David Mamet, Directed by Doug Hughes, starring Bill Pullman and Julia Stiles at the Golden Theater in New York!!!

It was a wonderful opportunity to re-introduce myself to Mr. Holder, watch him work hard and fast, as he moved from cue to cue adding, filling in, removing, adjusting, and cleaning up the already quite neat and tidy design that he had created for the production. Having the opportunity to listen and watch him cue the show, while watching the board-op type key strokes, and seeing Mr. Holder’s associate and assistant working right along side him was a wonderful treat that I will cherish for many years. We even got to go out to dinner with him and ask him a variety of questions about the production and how he works with students, young designers, and others in the field. I can’t wait to come down next month for a chance to see him work on Ragtime. (I will also be taking that opportunity to watch my Sound Design professor Rob Kaplowitz work the acclaimed production of FELA!)

I owe a deep thanks and overwhelming gratitude to Traci Klainer for making this day possible! It is truly an opportunity that not many young designers get to have, and I am so appreciative of the opportunity to learn so much in such a short period of time.

Not only did she set us up to watch Mr. Holder, but she was able to bring Chris Darland from Artec Consultants, Jason Lyons who created the lighting design for Rock of Ages currently playing on Broadway, Brian MacDevitt who recently won a Tony award for best lighting design of a play "Joe Turners Come and Gone", and many other folks to whom I can’t wait to interact with more.

So, thank you very much Traci for a wonderful day, and I look forward to many more in the near future.

Juvenile Diabetes Research Foundation (JDRF) Advocacy

A few days ago I became a proud member of the Juvenile Diabetes Research Foundation's (JDRF) Advocacy program. Today, I sent out 100 e-mails to friends and family members asking them to join me in advocating to find a cure for Type 1 Diabetes. It is probably one of the most simple things anybody can do to show support. You don't have to be an active advocate. Your single voice speaks volumes, and perhaps, down the road, those that join now as in-active advocates will become some of the most active advocates.

This is just the beginning for me. I hope to connect with our local JDRF group, partake in walks, runs, rides, and the like to support finding a cure! Where is your local branch? Do you know? It's easy to find out, GO HERE, and then you can be directed to local events that support finding a cure. Please don't hesitate! It's free, unobtrusive, and may bring new life to those that have lived and who are living a wonderful life as best they can despite this horrible disease.

You want medical reform! Finding a cure, living healthier, happier lives, and supporting those who are battling diseases is the best kind of reform we can advocate for! Thanks for understanding, reading, and supporting in your own special way :)

Docu-Diabetic

I haven't seen many docu-dramas or theater that could be considered part of the documentary genre, and yet, I am suddenly drawn to explore the pros and cons of the art form. I watched a friend of mine create a docu-comedy about "Hair", when I was teaching at Westmont in Santa Barbara, CA. It was hilarious! He worked on a piece called "Fear" this past year, and I wasn't able to see it, but I hope it went well. At any rate, I had no other reference to documentaries beyond that and a few television series or movies until now. I am reading The Laramie Project by Moises Kaufman and members of the Tectonic Theater Project, and I couldn't be more hooked!

I wonder if this kind of theater would have a successful impact on the local community of Amherst, MA. Beyond that, I wonder if a documentary theater piece on Diabetes would have an impact on the local community, the national community, or even the global community. I need a place to start, and I think I might be able to find that by locating my local JDRF chapter. I am already well on my way by connecting with other people with Type 1 Diabetes (I don't have it, but my wife does and I love her dearly). Each day I spend dreaming about this Arts Festival the more tangible and real it becomes. And although I have had many dreams fulfilled in my life, none of them have happened when I wanted nor in the way I had planned. This is another dream that is already spinning far from my dream, and yet fulfilling it far more powerfully and profoundly than I had originially imagined. I can't help but thank God for that blessing! I will finish reading The Laramie Project and begin to put the balls into play that are necessary for developing a documentary about the daily lives of people with Type 1 Diabetes. A project dedicated to my wife and her constant inspiring strength!

Raising Awareness for Type 1 Diabetes

I am blown away by the growing community of people on-line who have Type 1 Diabetes. A few weeks ago I decided to organize an Arts Festival designed to continue the conversation about being good stewards of our natural resources, while raising awareness and money to find a cure for Type 1 Diabetes. I wasn't sure where to begin my research for this festival...Do I begin by finding artists, collaborators, a clear definition of my goals, permission by my Graduate advisor to develop a festival, or somewhere else? I decided I would start with finding artists, but every time I start to search for artists I might be interested in bringing to the festival I find myself quickly drawn to connecting with people who are battling Type 1 Diabetes. I don't know why?!

Even though my wife has Type 1 Diabetes, I know she doesn't represent everyone. She has to deal with it every hour of every day, so she doesn't care too much for talking about it nor reading about it. She is a silent patient who continues her battle through prayer (something I believe is essential for finding a cure). I guess in a way that is why I am drawn to hearing other people's stories. I want to know if developing an Arts Festival to raise awareness and money to find a cure is something that the community of Type 1 Diabetics would support. I don't presume to be doing anything original, in fact, I am actually just trying to follow the lead of Bart Millard and others before him. I guess one question I have for you folks out there that are in the battle everyday, is this... Could you direct me to art events or artists who are actively creating art to raise awareness and money to find a cure for Type 1 Diabetes. Everywhere I look I see marathons, triathlons, walks, and rides, but not very many arts events. I'm an artist, that's what I do, that's what I'm good at, and so that is how I want to help.

I just had a thought...what if the Arts Festival isn't geared toward continuing the conversation about stewardship, but about Diabetes...! An exhibit of artists work who have Diabetes, a docu-drama/play devised from interviews of people with Diabetes, or panel discussion with people who have Diabetes, endocrinologists, and a representative from JDRF? Could it work...would it be successful...Let's do it!!!

Well, regardless of how this dream ends or grows, I am here to stay and here to support...Let's find a cure!

Our Type 1 Diabetes Story

I recently joined JDRF (Juvenile Diabetes Research Foundation) as an advocate for helping to find a cure. That simply means that I have committed to spreading the word about the work that they are doing at JDRF. If you are like me and didn't know the condition existed (until I met my wife), then spend some time clicking on the links I have provided to find out about the condition that has been deamed "The Silent Killer". It is a condition that affects more people around us than we care to imagine, as many with the condition often feel ashamed of what coping with it means for them. If you know about Diabetes, have Diabetes, or know a loved one or colleague that has Diabetes, then please join me and JDRF in helping to find a cure that can put this killer to rest. I am developing an Arts Festival for the Spring of 2011 that will seek to raise funds to find a cure for Type 1 Diabetes. If you would like to be a participant in organizing this festival, then please contact me...click here... Below you will find, my story about caring for a loved one who is coping with Type 1 Diabetes.



I'm 27...I didn't know diabetes existed! That is...until I met my wife. She was diagnosed with Type 1 Diabetes at age 18 after being hospitalized with mono. Her illness sent a shock-wave through her body rendering her pancreas incapable of producing the insulin she needs to survive. The sudden change in lifestyle was impossible to grapple with without a supportive network around her. When I met her 4 years ago, her average blood sugar levels produced an A1-C reading above 10. I began learning about the condition and helping my wife to strengthen her body to become less dependent on insulin, but it just isn't possible with the daily challenges a diabetic must face. Even something as simple as climbing a flight of stares, having an argument, or loss of sleep drastically changes her bodies interaction with these common daily events...something many of us without Diabetes take for granted. The innovations of today have made living with Diabetes bearable. We even have two beautiful young children, and yet her condition rages against her! With each year, her eyesight weakens, her insulin sites toughen, her nerve tissue numbs and tingles, she is easily exhausted, and as she continues to age all of her organs will begin to wilt and fade at a rate far faster than a person without Type 1 Diabetes.

My wife and I are at a place in our lives where this condition must not be allowed to survive! It can't be ignored or overlooked, and a cure for the condition must not be belabored by the advancements of devices to help monitor the distribution of insulin. These advancements are wonderful, amazing, and necessary, but they cannot take the place of finding a cure! My heart breaks every time I hear about another friend or family member's child being diagnosed with Type 1 Diabetes. But the mourning of my heart for people with Diabetes fuels a stronger desire to see this condition stopped and put to rest.

Thank you for this opportunity to share my story and my wife's story! It is a story not unlike millions of others that came before us, and not unlike the hundreds of others that will continue on after us. God bless the diligent work you have set out to do in finding a cure for Type 1 Diabetes!

Arts Festival for Type 1 Diabetes

Here is an e-mail I recently sent out to begin acquiring information about organizing an arts festival that will ultimately help raise funds to find a cure for Type 1 Diabetes...

Dear Loretta Yarlow, I am a 2nd year MFA Candidate for Lighting Design in the UMass, Department of Theater. I am beginning to develop a seed idea for organizing an arts festival. I want the festival to embrace not only theatrical art, but art from a wide variety of resources. In particular, I am wondering if you would be interested in discussing the possibility of creating an exhibit of a variety of professional artist's work that speaks to our current environmental atmosphere. My initial thoughts and hopes about using the University Gallery space are to install either a painter's exhibit or an installation artist's exhibit. I am beginning my research far in advance. If, after a few conversations, my idea is one that you might consider, then the exhibit would not be installed until April 2011. I am very excited about my plans for this arts festival and would appreciate any feedback and/or support you might be able to afford me. If my inquiry would be better directed toward another person or another of the Fine Arts Center galleries, then please feel free to contact me with your advice.

Sincerely, Jonathan Hicks

Here is her wonderful and exciting response! I appreciate her initial question, which has helped me to begin to harness my thoughts and focus for this arts festival!

Dear Jonathan, I'm not really sure what you mean by the "current environmental atmosphere". The University Gallery has organized exhibitions that activate the architecture of our exhibition spaces involving light projections and video projections with gel filters (example: spring 2007, "The Experience of Color: Ann Veronica Janssens and Diana Thater"). The most recent exhibition "Gravity" this past semester showcased 9 light projections on beds of salt by artist Miroslaw Balka. Did you happen to see it? Also, our permanent installation called "Scrim Piece" by LA artist Robert Irwin (it's installed in our north entrance) typifies light and atmosphere in current art practice. So maybe you can clarify your definition so that I have a better understanding of what you're proposing. Also, please let me know if you had a chance to see any of the artworks I mention above, and whether they fit the categories you're speaking of. Thanks, Loretta

My response back to her from this morning...!

Thank you Loretta for your wonderful response and great opening question! To be honest, I am still exploring what, specifically, I mean by the "current environmental atmosphere". As one can imagine that statement encompasses a far too broad range of topics. I will need to be more specific about that phrase in order to have a cohesive festival capable of having a strong and meaningful impact on our local and global community. When I think of our world's current state-of-being, I immediately think of the environment around us (cities, farmlands, forests, bodies of water, air, solar systems). So, when I think of our current environmental atmosphere, I think of websites like the following: Inhabitat (for its vast exploration and commentary on the invention and use of energy efficient products to conserve natural resources like oil, air, and water) Charity:Water (for its concern and care for our worlds water resources) Environmental Working Group (for its intuitive and detailed research on our worlds oil situation) Solar Power (for its ability to make tangible understanding how to harness the power of the sun) These sites, among others, inspire me to create works of art that create social commentary on our worlds current environmental atmosphere. I think of artists: Andy Goldsworthy Shai Zakai Jim Hamlyn Jason Ditmars Urs Jaeggi And many others...I have not seen any of the exhibitions you mentioned. Last year was my first year, and with a newborn baby during the first week of school, the rest of my year was plagued with catching up. The next two years, however, I plan on moving forward with bold and exciting work! The culmination of which, I hope will be this arts festival of installation artists, music, art exhibitions, and theatrical performances all focused around creating a conversation about our current environmental atmosphere. I would like to push my research for artists who would be interested in participating toward exhibiting art work related more closely with light as I am a lighting design student. The exhibitions you mentioned sound like they fit well with my dreams for this arts festival. Again, thank you so much for helping me to flesh out my seed idea with such a simple question as "what do you mean by...?". I hope I have been able to get closer to answering that question in this e-mail, and I look forward to further interaction with you! Sincerely, Jonathan Hicks

This is the beginning of what I hope will be a wonderful collaboration!

Type 1 Diabetes

I am getting ready to launch the first ever Havenworth Project! Havenworth exists to bring everyday people into contact with other everyday people. The average theater artist into contact with the average doctor, the average playwright into contact with the average construction worker (view our Mission Statement). Our first project will seek to create an artistically vibrant and eclectic theatre festival that stimulates social commentary on our evironmental atmosphere while raising funds to support research for curing Type 1 Diabetes (Juvenile).

Up until about four years ago, I didn't know Diabetes existed, that was until I met my now wife, Adrienne Hicks (I love you!). I began researching the chronic (lifelong) disease, and I have come to the conclusion that it ranks right up with some of the most horrifying diseases out there today. And, although Diabetes is controllable, the cost and final results of the disease are expensive and tragic as no cure exists. It is a disease, where in most cases, the child must live with the effects from early childhood through to their last breath at what one can only hope is as an elderly gentleman or lady.

This project is merely a dream and a seed idea, which I hope will see its final fruition near late Spring of 2011. It will take many hours of research, preparation, and constant interaction and involvement with many people from many backgrounds and stories. I hope you will become part of this tremendous endeavor, and that it will become an occasion worth remembering in the history of theatre, diabetes, and our global community.


This is my family...This project is dedicated to you Adrienne, and the other millions of children and adults challenged by this chronic disease! I love you!!!

Lighting Design

So here's my question...

How do you design lights for a show, unless you know the show inside and out?

How do you design lights for a show, unless you know the physical action of the play inside and out?

How do you design lights for a show and call it art, unless you participate first hand in the creation of the art?

I say, "You can design lights for any show, whether you know it or not...you can design lights for any show, whether you know the physical action of the play inside out or not...you cannot design lights for a show and call it art however, if you don't participate first hand in the creation of the art..."

So, go...participate...communicate...collaborate...and enjoy!!!

Conceiving a Theatrical Community

How do you conceive a theatrical community?

Imagine conception...


Literally hundreds of ideas vying for attention. Finally, one idea is granted supremacy (a dream). Your dream begins to be nurtured, grow, and develop. The gestational period is a beautiful exhausting time, where dreams are fragile. So please nurture, feed, and interact with them.

Now let's take a step back to the time before our moment of conception and look at a time when our ideas were shared with another persons ideas (imagine two bodies sharing their visions). Essentially, you are imagining two communities (bodies) intertwining. Their ideas are shared and the strongest will become the focus of the communities attentions. The thing about ideas is that for them to be conceived they have to be shared.

This is how I imagine a community being conceived. Could it be artificially conceived? Yes. Could it conceived by two communities and nurtured by one? Yes. But regardless of whether in the end it is one community or two or three or more that help to nurture, feed, and interact with the dream, it must be shared with at least one other community. Otherwise it is merely a thought, a fleeting moment, a hiccup. Share your thoughts, turn them into ideas that become dreams, and eventually through a beautiful and exciting process you will conceive a community!

Thanks to Nick Keenan for asking simple questions that got my heading turning!

Who has helped you get your ideas moving along?

Defining a Theatrical Community

How do you define Community?

Imagine a body...

Leonardo's Vitruvian Man

Let's use Leonardo's Vitruvian Man as our example of a whole and complete body. All of the individual parts of this body are essential in describing a whole and complete body. If one of these elements are missing or injured, then the body is no longer whole nor complete.

A beautiful thing about our bodies is that when any part of the body is in danger, the whole body comes to its aid regardless of whether or not this will injure another part of the body. The bodies devotion to its elements is without fail.

This is how I imagine a community. Could it exist without being whole and complete? Yes. Could it function through illness and injuries? Yes. But regardless of its ability to overcome, the incomplete or injured body will always seek to be whole, complete, and well. It is my dream that our theatrical community will function as our bodies function...with devotion to its elements without fail!

Mission Statement

“Why should the organization exist?”

Havenworth is a dream of mine. I hope it will exist in order to offer society a wide variety of national and international artistic expression that has a high impact on the local and global community, and a low impact on the local and global environment. We believe in providing artists and audiences with the highest quality artistic forums where they can explore the wonders of humanities creative minds and energies. In addition, it will offer communities the opportunity to live in residence and be nurtured by society through the arts. The center will be a place for all art forms to come and begin a conversation, to live a conversation, and to become the conversation around the world.

Havenworth is a haven worth investing in!

Theatre and Church

You know what I dislike about church the most...sitting and watching!

You know what I like about theatre the most...sitting and watching!

I like to interact, ask questions, make statements, have eye contact, and use gestures when I am at church, but I rarely get to after I walk through the door and sit in my seat. Unfortunately, that is all church has become, a place to sit and watch. Pastors aren't being engaged, messages aren't being explored and questioned, and so the little amount of real learning and execution of what is being learned is less than satisfying to me.

But, I like the lack of questions and statements being asked in a theatre, the minimal eye-contact (when you aren't in a small intimate theatre), and little to no gestures. The thing is, that's what theatre, in most cases, has become today...a place to sit, enjoy, and drift off into another world.

You can't do that with church. It needs to be a place where we are alert and engaged, else what is the point in going...it would be like going to a class where a lecturer talks at you rather than with you. You aren't learning anything more than what can be learned in a book, so what's the point in listening when you can learn the same thing at your own pace at home. Many people say the point in church is the fellowship...what fellowship...we had over 100 people at church today (most arrived 5 minutes before, ran to their seats, and buried their faces in a book), then at the end of church within 5 minutes all but 15 people had scurried out without as much as a glance at the person in front of them, behind them, or next to them. Needless to say nearly nobody thanked the speaker, asked a question, challenged a point-of-view...and their are certainly no reviews going out about the event...so, where is the engagement with all that work being put in to prepare the day...?

A theatre piece has 10 times the amount of engagement than a church has and they aren't even a place of learning, but a place of entertainment, yet I learn way more when I go. We had over 100 people arrive early to the play, talk and socialize before hand...at intermission people couldn't stop asking questions, making statements, and wondering...when the show was over nearly another 100 people stuck around to interact with each other about the event. Then to top it all off we have several reviews being posted in the local papers, which are another avenue for discussion and interaction about and with the event.

So, what exactly is the difference? Why do Christians talk about fellowship, community, relationships, yet when it comes to actually engaging the person next to them they can't even make little more than eye contact? Is it simply that theatre is not personal and church is? Are we defensive about what we believe and less guarded about what we enjoy?

Here's the point...church ought to be more engaging, more enjoyable, and more social than a theatrical event. The actors are presenting a story, telling a story, rarely asking questions, and rarely making statements to an audience with the intent of some kind of response (yet I venture to say that performances get more of these responses than a church). At church, the pastor or speaker is telling a story, asking questions, making statements, seeking to impart knowledge, and hoping to engage his/her audience, yet rarely do we ever get more than an "amen".

If you go to church...what's the point...what would make it a satisfying and enjoyable experience? If you go to theatre...what's the point...what would make it a satisfying and enjoyable expereince?

Finally, which do you enjoy more...and what would it take to make church engaging before, during, and after? Don't get me wrong...I think my church has a lot of great qualities otherwise I wouldn't go, but I think it could be more, offer more, and result in more!!! :)

Positive Post Tuesday

Penny Remsen and James McNamara

The first person I recognized today after I left my house was Penny Remsen. She is my lighting design advisor here at UMASS. I met her over the phone...a nice 30 minute long conversation about why I want to travel across the country to study with her, why lighting design for the theatre, why her, why now...Needless to say she a lot of questions...most of which just made me question myself more. And in the end it was exactly what I needed more questions to answer...after all, I wasn't just moving myself...I was moving my wife 18 month old son (oh...did I mention my wife would be 6 months pregnant when we moved and delivering our princess during the first week of gradschool)...Yeah, Penny had every right to ask quesitons.

Anyway, she has met me where I am in my studies. Challenged me to push ahead, advance my knowledge at an advanced rate to catch up to the standards of Graduate school (I haven't had any formal training in Lighting Design until now). Just last week Penny and I discussed the fact that we approach lighting from two completely opposite directions. Hers is more standard, and mine is more well, we haven't figured that out yet. Regardless, I appreciate Penny taking me on knowing full well tha I would be a challenge! She gave me the opportunity to learn when most other graduate programs felt that I would not be able to catch up, push ahead, and become what I need to be to be a great designer.

Thank you Penny for believing in me, challenging me, and trusting me to step up to the plate!

This has been a part of...

New Havens

I added a new link list to the right. These sites are a list of links I am starting with to help build my knowledge of the arts happening today. I am hoping to build the list and do a weekly reading of a new site each week. If you have suggestions on which sites I need to know about send them my way. I am specifically interested in sites that touch on an area of art (music, theatre, dance, sculpture, performance art, etc.), but would love any suggestions.

What have you got?

Awaji-Puppet Theatre Workshop Grant

Hey everybody...I got the grant!!! We received $250 to help fund the Awaji-Puppet Theater Workshop. We were hoping for a bit more in order to purchase tickets for students to go and see the production this Saturday, but the council decided the students ought to be able to afford that themselves. No problem, right? Can't hurt to ask and hope for funding, and besides, we were given enough to pay the actors for their time. That's all I wanted, and we got it! So, thanks to the UMass Arts Council for generously funding our workshop.

I am really excited about the workshop. I will be recording it, and I hope to receive permission from the company to post the footage on my blog here. So, keep your eyes peeled for an update if not a nice clip of the workshop!

I can't wait to spend some more time working on writing grants. I think publicity, communication and interaction are the best ways to make art successful. I believe in the work that I am doing, and I believe in the power of theatre and storytelling...and I hope I can find ways to bring that work to others in a way that enriches their lives. So, if you live in the Amherst, MA area swing on by and check out the companies work!

Havenworth Performing Arts Center

A beautiful image...

I have been thinking about this "performing arts center" a lot in the back of my head over the past several years, and I wonder...If I don't ever push the idea to the front of my head, will it ever make it out of my head?

So, in the vein of moving the idea out of my head, I want to take a kind of census or consensus about where artists (sculptures, painters, film producers, dancers, ARTISTS) believe their work would best benefit the broader community. How would your art have the best impact (not the most, but the best)? What kind of environment does your art need to thrive (interior, exterior, winter season, spring season, an auditorium or a studio)? Also, what kind of geographical location is required or desired (L.A., Prague, a suburb, metropolitan cities)? And, I feel that this is important...where do you believe the answers to these questions are? What city, state, or country would best suit the benefit of your art for the benefit of society?

A friend says goodbye

My graduate adviser has quickly become what I consider "a dear friend". She is someone that cares genuinely, deeply, and regardless. I appreciate the guidance and support she has given me just in this first year of knowing each other.

Late yesterday afternoon, her pup of 16 years passed away in her arms. I can think of no better way for a dear friend to pass. And so, as you say goodbye to your little one, I hope you know that we are all here to support you and listen...genuinely, deeply and regardless.

Here's to your pup, your friend, your baby...Here's to Fanny!!!

Commenting

I can't help but be tempted to announce that I just discovered a technical difficulty with posting comments on my blog. So, if you have been wanting to leave a comment about what you have read, seen or thought, then please give it another try. I have updated the system, and fixed the problem. Many thanks to the folks at Nemestcheck for sending me a couple of e-mails, which allowed me to realize the glitch! Thanks again!!

Havenworth Mission Statement

I wanted to start the new year off with a re-cap of the Arts Center's Mission Statement. I am still developing this statement. I believe it will strengthen the development not only of my own work, but of the work of all that get involved. I believe a dream may only be realized by constant pursuit, refinement, and support. Please, aid me in my pursuit by suggesting pros and cons to such a mission statement, benefits, challenges, and questions.



"Our society requires a Visual and Performing Arts Center that has a high impact on the local and global community, and a low impact on the local and global environment. The center exists to offer artists an opportunity to collaborate with artists, with economists, with scientists, administrators, contractors, academics, youth and more... The center will offer collaborators the opportunity to live in residence and be nurtured by society through the arts. The center is a place for artists and audiences to live in a community where they can explore the wonders of humanities creative minds and energies. The center will be a place for all art forms to come and begin a conversation, to live a conversation, and to become the conversation around the world."